Palette and light

Vases, and the case for leaving them empty

Vases, and the case for leaving them empty

Most vases spend most of their lives empty, and there is nothing wrong with that. A well-shaped vase is a sculptural object, and treating it as one rather than as equipment waiting for flowers changes how it is bought and placed.

It also removes the quiet obligation to keep buying flowers to justify it.

Group in threes, at different heights

A single vase on a large surface looks stranded. Three of varying heights read as a composition, and this is why vases are so often sold in sets of three rather than singly.

The heights should differ noticeably – not by an inch but by a third or more. Three near-identical heights produce a flat line, which is the same mistake as any other arrangement.

Empty is a finish, not an absence

A matt ceramic vase in a warm neutral is doing exactly what a small sculpture does. It has a silhouette, a surface and a shadow, and none of that requires anything inside it.

Glass is the exception: an empty clear vase reads as unused in a way an opaque one does not, because you can see the emptiness. Glass wants either something in it or a position where it catches light.

When flowers are not realistic

Dried stems, preserved eucalyptus, bare branches and grasses all last months rather than days and suit a coastal palette better than most fresh flowers do. A few branches in a tall vase is a very old solution and still a good one.

The one to avoid is a small quantity of artificial stems in a clear glass vase, where the stems and the base are visible and immediately give it away. Opaque vessel, or nothing.

Scale to the surface, not to the room

A vase should relate to what it stands on. On a narrow console, tall and slim; on a wide table, lower and rounder. A tall vase on a small side table looks precarious even when it is not.

The rough guide is that a vase should not exceed about two-thirds the depth of the surface it sits on, or it will feel as though it is about to be knocked.

Water, and the reason for the rope

Ceramic vases with an unglazed interior will seep slowly, which is invisible until a mark appears on a wooden surface. Test with water in a sink before using one on furniture.

The rope and jute wraps on some glass vases are decorative and they are also the part that suffers if water runs down the outside. Fill over a sink and wipe the outside dry.

Buying as a set, and buying to add

Sets are the efficient way to get the height variation, because the heights have been chosen to work together. Buying three vases separately usually produces three similar heights.

If you already have one you like, buy to contrast rather than to match: a different height and a different finish will do more for the arrangement than a second of the same.

From our shelves

The ceramic and glass vase sets currently in stock. Everything below is in stock as this piece is published, and the prices shown are read live from the catalogue rather than typed into the article, so they cannot drift out of date. Across the whole group prices currently run from $8.99 to $36.99, and the listing pages carry the full specification for each one.

These are 4 of the items in Vases and Table Decor; the category page lists the rest with current stock and pricing.

Ordering, delivery and returns

Every order pays $5.99 for delivery until the total passes $49. Orders are packed in one to three business days and travel for five to ten, so plan on six to thirteen business days between placing an order and opening the box. Everything ships from New York, NY, to United States addresses.

If something is not right, the return window is 30 days from delivery for unused goods in their original packaging. The Shipping Policy and the Refund and Returns Policy carry the detail, and the FAQ answers the questions that come up most often.

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